The Art of Fiction No. 89
“You either make a little nation and solve its historical and personnel problems within the format of your own household . . . and you win that one, or you lose the only war worth fighting.”
“You either make a little nation and solve its historical and personnel problems within the format of your own household . . . and you win that one, or you lose the only war worth fighting.”
Nineteen miles west of town, Drew’s client Mike and his wife Carol summered in a neighborhood of attractive homes along the meandering Bluebird Creek, formerly Bog Creek. The development was known locally as Snob Hollow. While the occupants were not all snobs, there was little time in the accelerated northern summer for mingling with locals, what Bluebird Creekers called “fraternizing.” But the Khourys were different, self-consciously inclusive, inviting often inappropriate local guests to their gatherings—gun nuts, fellow Pickleballers, smiling evangelicals, conspiracy theorists, and cabinetmakers—despite the likely awkwardness. Mike was fond of saying, “You can learn a lot by observing fish out of water” and “I admire their neolithic lifestyles and the curious pidgin with which they pour out their hearts.” So, Drew decided, he was a snob after all, though proud of his politics.
What follows are the authors’ discussions on the first stirrings, the germination of a poem, or a work of fiction. Any number of headings would be appropriate: Beginnings, The Starting Point, etc. Inspiration would be as good as any.